Brighton Festival returns to full capacity as it celebrates the theme of rebuilding

Brighton Festival 2022 will take as its theme ‘Rebuilding’ as it returns to a full-scale programme for the since time since 2019.
Marwa Al-SabouniMarwa Al-Sabouni
Marwa Al-Sabouni

There will more than 150 events, exhibitions and installations from May 7-29. 124 events or installations will take place indoors across multiple venues. 36 events will be free.

There will also be ten Festival commissions, two world premieres and three UK premieres.

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And to celebrate its return to pre-pandemic scale and capacity this year, the Festival will also broaden its reach across Sussex, welcoming more community and local programming partners than ever before.

At a special online launch event, guest co-directors Marwa Al-Sabouni and Tristan Sharps confirmed the theme of Rebuilding, with a huge range of events, both indoors and outdoors and in unique locations around the city and across Sussex.

The aim, they say, is to help “cement the Festival’s reputation as a crucible of ideas, illuminating and commenting on the world’s complexities.”

This is the first year the Festival has had two guest co-directors, Syrian architect and author Marwa Al-Sabouni and Tristan Sharps, artistic director of Brighton-based theatre makers dreamthinkspeak.

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They will be exploring theme of Rebuilding as the inspiration for this year’s programme,

Marwa said it would address “the loss of what brings us together and what makes us hope.”

Tristan promised a way “to reconnect with our surroundings, the world and ourselves.”

Major projects for 2022 include the world premiere of Unchain Me, a unique new site-specific Brighton Festival commission from dreamthinkspeak, directed by Tristan Sharps. Their multi-media performance taking place at venues across the city is inspired by Dostoyevsky’s novel The Possessed, and is made possible by principal supporter, the Pebble Trust. The Trust’s new annual support of Brighton Festival’s major productions and installations will offer audiences innovative and unique ways of seeing and experiencing the city.

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Marwa Al-Sabouni has collaborated with Syrian architect Ghassan Jansiz to design an entirely new space for social and artistic exchange on Hove seafront, The Riwaq, inspired by her own Syrian architectural heritage. The Riwaq will play host to programming partners Carousel, Little Green Pig, Best Foot Music and In-house Records, highlighting the creativity in our communities across the region all year round.

Marwa Al-Sabouni said: “The theme of Rebuilding is our response to the many forms of erosion that took place all over the world in the past few years. Not only the physical destruction of homes and communities, but also the loss of what brings us together and what makes us hope. Brighton Festival is offering us all a wonderful chance to look at Rebuilding across the wide spectrum of creativity it’s hosting. We will be honoured to see you all there!”

Tristan Sharps added: “My hope is that the Festival can play a part in challenging and transforming how we see our surroundings and ourselves. The collaboration with Marwa has already changed how I view the city and world I live in. I can’t wait to share this experience with Marwa and with Brighton in May.”

Andrew Comben, chief executive of Brighton Dome & Brighton Festival said: “It is a joy to launch this year’s Festival with a return to the scale and ambition for which Brighton Festival is known. Marwa and Tristan have inspired a community of artists and partners to contribute to a programme of extraordinary richness and we really look forward to sharing these experiences with everyone in May. Thanks to the steadfast support from funders Brighton & Hove City Council, Arts Council England and DCMS’s Cultural Recovery Fund along with major sponsors, supporters and our audiences we can emerge from the pandemic to play our full role in Rebuilding the confidence and cohesion of our communities through arts and culture.”

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This year’s original Brighton Festival Commissions include internationally celebrated choreographer, and former Brighton Festival Guest Director, Hofesh Shechter, presenting Double Murder, performed by his inimitable dance company to Schechter’s original score; plus choreographer and performer Charlotte Spencer’s new dance piece, Written in the Body, explores how physical contact holds communities together and what happens when it disappears.

UK premieres include Witness, a new installation from award-winning artist Emma Critchley, using underwater dance, spoken word and science to link the human body to disappearing glaciers; and acrobats from Australia’s exhilarating Circa ensemble will bring Stravinsky’s The Rite of Spring to the circus stage in Sacre. Emma Rice’s Wise Children will also return to Brighton Festival with their critically acclaimed musical version of Wuthering Heights, as part of a UK tour.

The Festival continues its innovative site-specific events with the UK premiere of Witness Stand. Australian artists Madeleine Flynn and Tim Humphrey have commissioned a community of writers and sound artists with a connection to Brighton to create emotive sound installations at outdoor sites across the region. On a smaller, but no less dramatic scale architect and artist Mohamad Hafez will bring Journeys from an Absent Present to a Lost Past - his extraordinary miniature streetscapes evoking the ongoing Syrian conflict – in a co-production with Brighton’s Fabrica gallery.

Musical highlights include Brighton Festival exclusive performances from The Orchestra of Syrian Musicians, who many will know from their work with Damon Albarn and Gorillaz; and Californian Grammy-nominated trumpeter Ambrose Akinmusire, whose work combines funk, hip-hop and classical influences. In a trio of orchestral highlights, Marta Gardolinska conducts the London Symphony Orchestra; Ilan Volkov conducts The Philharmonia Orchestra and Brighton Festival Chorus; and the Gilles Peterson-endorsed New Regency Orchestra offer an incendiary big-band take on Afro-Cuban classics.

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Brighton Festival partnerships go from strength to strength, bringing communities together to enjoy the best arts and culture across the region. The Without Walls outdoor programme will extend beyond Brighton & Hove to partner on events with Creative Crawley in Crawley itself. A special performance from Brighton & East Sussex Youth Orchestra will feature pianist Jeneba Kanneh-Mason and involve young people from across East Sussex; and a contemporary music partnership with De La Warr Pavilion will welcome Corinne Bailey Rae, Warpaint and The Unthanks to Bexhill in May, helping to make this year’s Festival reach greater than ever.

Residents of Hangleton and Knoll, East Brighton, Moulsecoomb and Bevendean will welcome back Our Place in 2022. This free and inclusive celebration of community creativity sees the Festival work in partnership with community steering groups to select, programme and produce art projects, performances and events for these communities and their neighbourhoods.

Brighton Festival continues its reputation as an platform for engaging discussion and lively debate with 35 events for all ages. Festival Co-Director Marwa Al-Sabouni will examine the role architecture can play in generating community through her most recent book, Building for Hope; a joint event with Charleston Festival invites 2021’s Nobel Prize for Literature winner Abdulrazak Gurnah to discuss his work and childhood in Zanzibar; and former Brighton Festival Director Michael Rosen, Cressida Cowell and A.M. Dassu will be among the authors exploring their latest books and sharing inspiration via our Young Readers Programme.

The Global Conversations and COP Conversations series offer new perspectives on nature, identity and new realities; and The Festival of Ideas returns in partnership with the University of Sussex and the Attenborough Centre for the Creative Arts (ACCA), via a series of thought-provoking screenings and discussions which explore new ways of thinking about the past, present and future.

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In a welcome return to the streets of Brighton, the Festival begins with the much-loved Children’s Parade on Saturday 7 May, following an enforced two-year hiatus. Jointly produced with award-winning community arts charity Same Sky, this riot of colour and creativity pivots around the themes of Rebuilding and Hope, celebrating the strength and resilience of local communities and what can be achieved when we listen and work together.

Closing the Festival with a bang will be Charles Hazlewood’s inimitable Paraorchestra presenting SMOOSH! This celebratory musical parade through the streets of Brighton invites young and older audiences alike to join in on pop-karaoke classics from the likes of Fatboy Slim, Kate Bush and Basement Jaxx.

For full details of the Brighton Festival 2022 programme visit https://brightonfestival.org/

Brighton Festival 2022 is made possible with support from our major sponsors the University of Sussex and Moda Living.

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Professor David Maguire, interim Vice-Chancellor of the University of Sussex said: “In our 60th year, the University of Sussex is proud to be supporting the Brighton Festival. Through a programme that encapsulates kindness, inclusion and collaboration, the Festival not only echoes our values as a university but is also a celebration of what makes Brighton and Hove such a special place. We are delighted to be contributing to the Festival programme with installations and performances taking place at Attenborough Centre for the Creative Arts, and through a series of events curated by the University of Sussex, Festival of Ideas.”

Lydia Whitaker, director of Marketing and Wellbeing at MODA Living said: “The Riwaq project is an inspirational work based on the importance of bringing communities together, and the value of interaction and experience to wellbeing. This is at the heart of what we do at Moda, where we’re dedicated to building sustainable neighbourhoods that have a positive impact and promote collaboration between communities. We’re proud to be a part of the Brighton Festival and look forward to celebrating arts and humanity with people from all over the world.”

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