Already the album is being touted as one of 2021’s most essential releases.
In just a few years, Royal Blood have won a reputation as one of the world’s biggest and most vital rock bands.
The Brighton duo have had two UK number-one albums – their self-titled double-platinum debut from 2014 and 2017’s How Did We Get So Dark? in the process selling two million albums worldwide.
Their acclaim has included the BRIT Award for Best British Group plus further accolades at the NME and Kerrang! Awards as well as a Mercury Prize nomination.
Now, they are releasing Trouble’s Coming, the first single from next year’s album.
Their patented, granite-heavy bass and drums attack is now flavoured by fresh influences: Daft Punk, Justice and the late Phillipe Zdar (one-half of Cassius and producer for the likes of Sébastien Tellier and Hot Chip). As a result, Trouble’s Coming infuses Royal Blood’s “bombastic uptempo energy with beats.”
They say Trouble’s Coming concisely tees up what to expect from their third album. As the duo started work on the project, which they largely produced themselves at The Church and Sleeper Sounds in London, the song proved to be the turning point in the creative process.
As vocalist/bassist Mike Kerr explains: “It was the moment something started to click – where we started playing over those much more rigid dance beats. The breakthrough was realising that there was real common ground between that and what we’d done before. It’s that AC/DC aspect: where the quality that makes the riffs seem so cutting is because of that beat.
“Although on the surface we were stepping outside what we’d done before, it didn’t feel at all unnatural; it felt like we were returning to music we’d loved from the very beginning: Daft Punk, Justice, things that were really groove-orientated. It was all about the beat. It felt like familiar territory, but something we’d censored in ourselves.”
Drummer Ben Thatcher adds: “When we first broke out, there were only two elements to the band. I didn’t just have to carry the beat, I’d have to colour in the changes. We were both bearing a lot of freight, sonically. But this was a different challenge; less varied, maybe, but so satisfying as a drummer.”
A huge draw in the live arena, Royal Blood’s most recent full-scale UK and Ireland headline tour saw them perform in front of 100,000 people, including 30,000 over three sold-out nights at London’s Alexandra Palace.
Key festivals have included Glastonbury (where they famously discovered, mid-set, that their second album had debuted at number one), Radio 1’s Big Weekend, Reading and Leeds. Highlights of their extensive international touring include huge North American tours with Queens of the Stone Age and Foo Fighters, plus headline shows as far afield as Los Angeles, Tokyo and Sydney.